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Documentary Credit

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... concept of realism in the documentary films [Zryd, 2000]. The film theory has considered documentary "either a sort of book "Rhetoric and Representation" defines a documentary from the fiction. He says that a documentary contain within According to the documentary, "Documentary blisters film and television news," by Boedeker (1997): "the boom in book "Rhetoric and Representation" defines a documentary from the fiction. He says that a documentary contain within of realism in the documentary films. There are film makers who maintain that documentary with the aid of advance film ...



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Sources list for DOCUMENTARY CREDIT:

Michael Renov "Towards a Poetics of Documentary" in Theorising Documentary pp 12-35. Edited by Michael Renov, Houndsmills: Macmillan Press, 1993.
Modes of Representation in Three Classic Documentaries

Brian Winston "The Documentary Film as Scientific Investigation" in Theorising Documentary pp 39-57. Edited by Michael Renov, Houndsmills: Macmillan Press, 1993.
Modes of Representation in Three Classic Documentaries

"Documentary: a history of the non-fiction film". Eric Barnouw. New York : Oxford University Press, 1974.
Documentaries

Bill Nichols, Introduction to the Documentary Bloomington and Indianapolis: Indiana University Press, 2001.
Modes of Representation in Three Classic Documentaries

Jim Leach, "The Poetics of Propaganda: Humphrey Jennings and Listen to Britain" in Documenting the Documentary pp. 155-170 Edited by Grant and Sloniowski. Detroit: Wayne State University Press, 1998.
Modes of Representation in Three Classic Documentaries

 


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